Kathryn Warner recently wrote a
wonderful blog about writing historical fiction. Followers of my blog and Facebook pages know
I tend to be obsessive-compulsive about historical accuracy. I think my fellow writer Laurel Corona said
it best when she said very succinctly, “Do not defame the dead.” Kathryn has elaborated upon the premise very
eloquently. If I ever had unlimited
power over the universe—admittedly a scary thought, even to me—I would make
this required reading for anyone who has the slightest desire to write a
historical novel. As a benevolent
dictator, I would also “suggest” that all readers of historical fiction read
it, too. But until I become queen of the
universe, I will have to make do by re-posting, with Kathryn’s permission, her
blog.
In the interest of full disclosure,
I should mention that Kathryn is a friend of mine; in fact, she has won my
enduring gratitude by translating relevant portions of the German biography of
Richard I by Dr. Ulrike Kessler, Richard I. Lowenherz, Konig, Kreuzritter,
Abenteurer. Kathryn is also the creator
of a must-visit website for anyone interested in the Middle Ages; here is the
link. http://edwardthesecond.blogspot.com.au/
Now, without further ado, I give you
Kathryn Warner.
Ten Commandments For Writing About
History And Discussing It Online
Some things I need to get off my chest, based on reading about and discussing
history on various online forums and Facebook groups, and certain articles and
books.
1) You shall remember that people who lived hundreds of years ago were complex
human beings every bit as complex and human as we are, who had families, and
feelings, and human dignity, and that therefore you should write about them
with respect, in the same way that you would wish writers to treat the memory
of you and your loved ones with respect decades or centuries hence. You will
not laugh or sneer or gloat at their painful deaths and suffering, or claim
that they deserved everything they got, or express a wish that they’d suffered
even more, or call them vile names. If you wouldn’t want someone in the future
to make light of tragic events which have befallen you and your loved ones, or
to depict your beloved father as a callously neglectful parent or not in fact your
biological father thanks to your mother’s cheating on him, or your kind and
wonderful husband as a spineless snivelling coward who frequently beat you up
and forced himself on you, or your daughter as a cold-blooded child killer –
and if it would make you angry and upset if anyone wrote things like this about
your favourite historical person – then you should think twice about inventing
such calumnies about other people merely because you don’t like them or because
they were an enemy of your favourite historical person.
2) You shall remember that accusing someone of a horrible crime such as murder,
rape, child abuse, violent assault or torture is a serious allegation which
should not be made without real, actualevidence. This is no less true merely
because the person you are accusing lived 500 or 700 years ago, and lame
so-called justifications such as “s/he was an unpleasant person who might
have done such a thing” or “s/he had a motive to commit the crime, in
my opinion” or meaningless rhetorical questions and mealy-mouthed
statements such as “it is not beyond the bounds of possibility” that
s/he committed the crime are insufficient. A motive, or what you with the
benefit of more than half a millennium’s hindsight perceive to be a motive, does
not in itself constitute evidence. A wish to point the finger at your favourite
historical person’s enemies rather than him/her does not in itself constitute
evidence. A wish to portray your favourite historical person as a
long-suffering victim to arouse your audience’s sympathies for him/her does not
in itself constitute evidence.
3) You shall remember that complaining about your favourite historical person
being unfairly maligned by history, while enthusiastically maligning his/her
enemies for all you’re worth, looks hypocritical.
(I have been wondering whether I myself am somewhat guilty of this one, as I do
sometimes jokingly refer to Roger Mortimer as ‘Le Manly Wodge’ or similar,
which is pretty snide of me. Having said that though, my aim is to take the mickey
out of bizarre modern statements about his sexuality such as Alison Weir’s, and
the assumption that his ‘unequivocal heterosexuality’ made him stronger, more
virile, more manly, generally just better than Edward II not because of his
abilities but simply by virtue of who he was sexually and romantically
attracted to. My intention is to point up bigotry and stereotypes, and I do not
in any way mean to be cruel or mocking about Roger himself – just about the way
some people in the twenty-first century choose to depict him. I don’t dislike
Roger at all; he was an extremely able and courageous man and I find much to
like and admire about him. Same with Robert Bruce, or Isabella for that matter,
and I really don’t see why I need to dislike and spit venom at people who were
in some way Edward II’s enemies. For sure I’d never make up the kind of
hateful, hurtful slurs about them which certain Isabella fans have invented to
throw at Edward.)
4) You shall remember that your favourite historical person’s enemies were
complex, multi-dimensional human beings too and deserve to be acknowledged as
such, rather than as cardboard cut-out evil villains devoid of any humanity.
Depicting them as cruel to animals, or attracted to little boys, or sadistic
rapists, is a ridiculously unsubtle and obvious way to make them unsympathetic
to your readers. You shall also remember that however much you like your
favourite historical person, s/he was a human being and thus had character
flaws and made mistakes like every other human being who has ever lived, and
that depicting him/her as impossibly saintly and perfect looks kind of silly.
And also strips them of their humanity.
5) Unless you’re twelve, you shall remember that there is no need to divide
historical people into ‘teams’ or ‘sides’ and hurl abuse at the other ‘team’ or
people who like them.
6) If you’re discussing history online and make a surprising or implausible
statement, such as claiming that it was treason to refuse to have sex with the
king of England in the sixteenth century, you shall remember that it is
entirely reasonable to be asked for a primary source to back up your statement.
This is not a reason to accuse people of rudeness and bullying and to get all
huffy and offended.
7) You shall remember that modern historical novels, however well-researched,
well-written and enjoyable, do not count as primary sources. Responding to a
request to provide a source for a statement you’ve made about a historical
person with “Historical Novelist X depicted him this way” does not
actually answer the question. You should also bear in mind that merely because
something has appeared in print in a historical novel does not automatically
mean that it has a basis in fact, and you should check before repeating it as
though it certainly does. This is how historical myths get started, and once
established, they’re damn hard to shake.
8) You shall remember that familial, societal and marital norms of the Middle
Ages were different to ours, and refrain from referring to women as
“helpless pawns” when their marriages are arranged by their (cruel,
heartless, callous, uncaring…) fathers. You shall remember that having your
royal or noble heroine wail “But I don’t love him!” when informed of
her impending marriage to a king or nobleman is by now a tedious cliché. You
will not assume that a medieval king must have been an uncaring neglectful
father because he didn’t live in a nuclear family arrangement with his
children. You will remember that, contrary to what you might assume, depicting Isabella
of France as being willing to take a lover at the age of sixteen and foist a
child of non-royal blood onto the English throne is an insult to her, not a
compliment.
9) You shall remember that depicting women as all of a sudden no longer
possessing their own agency, becoming the proverbial “helpless pawns”
and coming under the total control of nasty unscrupulous men whenever they do
things you don’t approve of, when two pages earlier you were applauding their
independence of action and thought as they did noble and good things, is as
patronising and paternalistic as the ‘sexual prejudices’ of previous centuries
you’re decrying. Repeat to yourself until it sinks in: Adult women are
responsible for their own actions, good or bad, just as much as men are.
10) If you wouldn’t refer to Roger Mortimer as Isabella of France’s ‘straight
lover’, to Alice Perrers as Edward III’s ‘female lover’, or to John of Gaunt’s
‘heterosexual relationship’ with Katherine Swynford – and of course you
wouldn’t – then you shall remember that there is no reason to call Piers
Gaveston or Hugh Despenser Edward II’s ‘gay lover’ or to talk about their
‘homosexual relationship’. Merely ‘lover’ and ‘relationship’ or ‘sexual
relationship’ will suffice; it will be readily apparent to your reader that
Edward, Piers and Hugh were all men and that their relationships were therefore
evidently same-sex. Furthermore, you shall remember that making lame statements
such as “It’s different when men love women” in an attempt to justify
why you think Edward’s (presumed) adultery with men is nasty and icky while his
grandson John of Gaunt’s adultery with Katherine Swynford is fabulously
romantic, looks bigoted. There are ways that we can discuss prejudices of other
eras without making it look as though we share them and expect our readers to
do so too.
Thank you, Kathryn, for allowing me to re-post your blog
here. I am sure my readers will find it
just as interesting and persuasive as I did.
May 28, 2012